Review of 'Brighton Rock' by Graham Greene

I never thought I'd be saying I enjoyed a Graham Greene book. After being forced to read a truly bleak passage from one of his books during my a-level English studies I was convinced I'd never read anything from this dreary author again if I could help it.

And then I gave him another go, and it turns out I must have had to read a really rubbish part of his writing because I was hooked from the very first line of Brighton Rock. As it turns out, I'm a fan and I now want to read all his other works.

The book takes place in Brighton, but imagine less of the fun vibe, and more of a rainy murderous one. Charles 'Fred' Hale is a journalist come to Brighton to hand out newspaper cards as part of a competition. Having previously written an article that resulted in the leader of a local mob's death however, Hale begins to realise he's unsafe. 

On the other side of the tracks we have Pinkie, the new teenage leader of the gang. Desperate to prove that he's not just a kid, and to keep the mob in control, he becomes ever more dangerous as the book progresses.

And completing our circle of three, we have Ida Arnold, who met Fred on the day he was killed, and who's the only one determined to track down his killer, or even to find out what happened to him at all. 

This murder thriller had me gripped and felt like the ultimate Bugsy Malone style mob fiction. Greene managed to make the whole book so cleverly vivid that I feel like I can still imagine some of the scenes and the characters, without it having been too wordy. Set in the 1930s, I found this really hard to place time-wise as I was reading, as it almost seem to exist outside of time.

There were a couple of bits where the narrative slowed down a little too much for me, and I could never really connect with Hale, so I'm giving it 4 out of 5 stars.

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Review of 'The One Memory of Flora Banks' by Emily Barr

I read so much good YA fiction earlier this year, and (finally) writing up some of the reviews for them is making me want to read all the rest of the YA on my shelves. The One Memory of Flora Banks isn't a book I'd heard much about before I read it, but the cover is so pretty that I couldn't not pick it up.

This book tells the story of Flora Banks, a teen suffering with severe amnesia as a result of a brain tumour. She remembers nothing day-to-day, and has had the same best friend since before she was ill: Flora remembers her, just like she remembers her parents and brother, though sometimes this (and everything else) takes a little coaxing. She wakes up every day not knowing who she is, or being able to trust that she'll remember enough to be safe.

And then one day she kisses a boy, and the next day she remembers. It's SUCH a breakthrough for Flora, and would be great if it wasn't her best friend's boyfriend (the girl that's stuck by her side through everything). And, if she could remember that her bestfriend is pretty pissed off and won't want to answer her calls that would be pretty good too. However, now Flora has hope, and she heads off on an adventure in search of the boy who she thinks will unlock her memories for her. 

This book really reminded me of Everything Everything by Nicola Yoon, but I much preferred this book. I felt as though it taught you a lot about amnesia, why it happens and its different types. Flora as a main character was written so well, and I felt that it was important that the book was from Flora's point of view: when she was confused, so were you. I've given this four stars because there were points where I wanted the plot to move along a bit quicker, and a few moments that I found quite jarring. Overall, it was a good YA about family and friendship, growing up and first crushes and I think it encapsulated those things really well in quite a short (300-odd page) book.

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Review of 'The Summer of Impossible Things' by Rowan Coleman

Magic realism isn't my favourite writing style, especially when it's used as a trope to push a story along. However, when it's done right, it can make a book ... well, a bit magical. The Summer of Impossible Things (2018) is one of the better examples I can think of, where the author's managed to blend the magic into the rest of the book and the plot and make it believable.

When Luna and her sister head to their mum's old apartment in Brooklyn, they're determined to get to know her a little better. In the years before her death, they knew she was struggling with something that had plagued her, and it's only now that she's gone that she's prepared to let them know the truth. Thirty years before, their mum was happy and thriving, a teen ready to face the big wide world, and Luna wants to know what changed.

What she's not prepared for is how much the trip will change her. Luna begins to struggle with intense headaches, and fears the worst. However, as they flare up, she begins to see her surroundings shift: though she doesn't know it at first, she's gone back to 1977. Switching between the present and a past where she has the opportunity to meet her mum before she became a mother, Luna struggles to comprehend what's happening. Soon she realises that these transitions through time are going to offer her the answers she's looking for.

This is a story that does magical realism well, without it jarring you out of the story or making it *too* unbelievable. More importantly however, it's a story that does love and loss and grief and family well. I loved seeing Luna and her mum bond (despite the years and the secrets between them) and trying to work out exactly what had happened. It was a full on page-turner that I could not put down.

*Trigger warning - sexual assault*

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Review of 'How to Stop Time' by Matt Haig

I've been following Matt Haig on twitter for a LONG time, and I love his honesty and ability to really get to the heart of things even in as short a writing format as a tweet. However, it wasn't until this year that I actually read one of his books, and now I want to read them all. 

Haig is a big advocate for improving mental health services, talking about men's mental health and living in a way that is positive for you. Though this isn't the main message of the book, or even really at its forefront, I think it's there in the way the main character presents his outlook on the world.

The book follows the story of Tom Hazard, a man with a rare condition that means he ages much much slower than the average person. Born in Shakespearean times, Tom's story line flits from the present day back to when he was a child, and explains why Tom behaves the way he does. Over time, he's learnt that nothing really matters apart from love and that it's the only thing that isn't completely transient. Having lost his wife to the plague when he was young, Tom knows that his daughter Marion is someone like him and he's desperate to find her.

Tom was discovered by an agency that protects people with the same condition as him. He's assigned to seek out someone that is suspected to be the same, and either recruit them or make sure they're not able to tell anyone that people like him exist. 

I honestly LOVED this book and gave it five stars. I'm a massive fan of back stories for characters (honestly the more in-depth the better, and don't even get me started on prequels). I'm also a big fan of historical fiction, and learning more about history, so this was right up my street, albeit in a heavily fictionalised version kinda way. The book took us through Shakespearean times to Tom meeting F Scott Fitzgerald, and all around the world too. 

Sometimes books like this delve too much into the side of creating a really nice back story for a character without any real plot, but I loved learning about the dark side of the society that Tom ends up a part of, and I felt this added some much-needed drama to the story. I could honestly read book after book from this world, and I'd be SO into hearing the story of Tom's daughter and how she's grown up differently in a world that hates people that are 'different'.

It reads a little like YA fiction, though I'm not sure if it's intended as adult literary fiction. I think as something that comes across a bit YA-ey, it's important that this isn't a traditional romantic love story. but a familial love story because those are honestly so rare in the genre.

I would recommend this to YA fiction fans, especially if you enjoy historical fiction too!

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Review of 'The Essex Serpent' by Sarah Perry

It kind of seems as though 2019 might be the year of literary fiction for me? I'm actually reading books that have been brought out ~fairly~ recently (aka in the past five years) and they are real adult lit fic? Am I alright?

For real though, this is a genre I've largely steered clear of in the past just because other ones interest me more. Now that I've got my teeth sunk in a little though there are SO MANY that I want to pick up and give a go. 

The novel kicks off with a mysterious death of a man, which is later attributed to be caused by a mythological beast named the Essex Serpent. The main story then starts with the death of Cora Seaborne's abusive husband. Set in 1893, Cora lives in a time where she couldn't leave this man, and inwardly rejoices that he's lost his hold over her.

Desperate to leave her boring, restrictive life behind, Cora takes her son Frances and his governess to Essex, to be a little removed from the hustle of London life. She is an inquisitive woman, who places reason and science before religion. When a couple of friends suggest that she stay with a priest and his wife and children so that she can find out more about this Essex Serpent, Cora is a little apprehensive, but decides to go for it.

The book questions the boundaries between fact and fiction, faith and science, and where the boundaries lie between morality and immorality. Cora's own sense of what is right is put in jeopardy by her desires, and she loses sight of the strange behaviour of Frances. On the surface, he's a naughty little boy who won't do what he's told, but deep down he's a little troubled, and much more interesting than at first glance.

I've given this a 3/5 stars, because although it's a very good imitation of a Victorian novel (my fave), and at times I felt as though I could be reading an Austen novel, there were some jarring anachronisms that totally took me out of the world of the book and made me remember that it is a modern novel. 

I did love the questioning of where the boundaries lie between being masculine and feminine, and I felt this was a real strength. However, the plot was spread very thinly throughout the book. I feel as though it might have worked a little better being 50 or so pages shorter, but I can see that the level of detail was part of the aura of it being a Victorian-esque novel.

I've heard so many people rave about this, and maybe if I'd gone in without this idea in mind it might have come across a little better! 

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Review of 'Dracula' by Bram Stoker

Aaaaand on to the first re-read of the year. I am a BIG Dracula fan. I took my time getting about to reading it the first time, and held off until I was 20. Basically I was still in the teenage phase of not wanting to like something because everyone said it was good so I didn't read it (so many regrets) until way after pretty much everyone on my uni course had given it a go. 

Anyhow, the first time around I read it for a first wave feminism module at uni and it was so interesting to approach the book from that perspective. This time around, however, my reading felt a little less focused and it allowed me the chance to notice a whole lot that I'd overlooked the first time around.

Dracula begins when Jonathan Harker travels to Transylvania on business to meet a Count. When he arrives, the locals seem to fear him, wearing garlic around their necks and crossing themselves. He is attacked by wolves on his way to the Count's castle, but saved by the Count himself. Once he's there, he begins to notice that things aren't how you would expect. He never sees the Count during the day, most of the castle is closed off to him, and Jonathan ultimately realises he's trapped.

Back in England, his betrothed Mina Harker is staying with her closest friend Lucy Westenra, who is trying to deal with the (so hard) problem of having three very different men seeking her hand in marriage. However, soon Lucy's behaviour starts to become very concerning. She sleepwalks, and when she returns to her bed she seems pale and almost lifeless. 

Soon begins a battle between one of the most esteemed doctors of the time, Professor Van Helsing, and a force making nightly visits to Lucy, intent on draining her blood ...

This is one of the key Gothic horror novels, sitting alongside the likes of The Monk, Frankenstein and Edgar Allen Poe's poetry. It has all of the key elements of being an OG Gothic novel: a gloomy moody setting, supernatural elements, the sublime, the question of morality vs depravity, and a side helping of sexually depraved women. The language isn't too dense or antiquated, and whilst the book is quite lengthy, it does switch between various narratives to keep you on your toes.

I am such a big fan of the book, and would put it in my top ten all-time reads. I love how much popular fiction has come from the idea of Dracula put forward in this book, and thinking about how much of an impact it has had globally and across time just blows my mind. Basically, if you want to get into Gothic fiction (who doesn't?), this is a great book to start with, or use to delve deeper into the genre. 

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Review of 'Doing It!' by Hannah Witton

This is my first (and I think only?) non-fiction read of 2019 so far. Hannah's a Youtuber that I've been following for quite a few years now, and when she released her first book I knew I wanted to get my hands on it. Her Youtube channel focuses on breaking down taboos and talking about sex in a positive and inclusive way, which is pretty much what the book covers too.

The book isn't really what I'd expected, though I don't think that's a bad thing. Every couple of pages includes bold designs to break up the text so that visually, the book doesn't end up being a whole mass of text and information. Working in publishing makes me wonder though whether this was done more to bring the book up to the length of a full book, rather than it being a bit on the short side. Sceptics aside, it's a nice touch for teens who might feel overwhelmed reading masses of small text on a topic they may be struggling to completely come to terms to.

I really feel as though the book is aimed at teens rather than being young adult or adult fiction. Though this meant that it erred on feeling a bit too 'young' for me, you'd also hope that by my mid-twenties I'd have most period/sex ed things figured out by now. I do think it's better that it's aimed at a younger audience, as it includes a lot of topics not covered by most sex-ed curricula (and 100% definitely not covered by the one I experienced at a Catholic school). It's important that it is written in an accessible style for teens, so whilst it wasn't something that I completely enjoyed, I feel as though that sort of made it better.

My favourite thing about the book is how inclusive it is. Hannah uses inclusive language in terms of gender and sex, as well as information on LGBTQA+ relationships and safe sex. The book features chapters from others (including Juno Dawson who is just FAB) on topics that Hannah wouldn't necessarily know about, including what it's like to be a man with a porn addiction, and being uncomfortable in your sex during puberty. I think it's so important that she's decided to have these chapters in the book written by people who have experienced things that she could only talk about in a more abstract way.

I'm giving this 3 stars, because although I think it would be a great book for teens, I found myself skipping through a few bits, and found the format with all of the bold patterns separating things a little jarring.

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