Friday, 28 July 2017

Review of 'Where Rainbows End'* by Anne Marie Brear

Review of 'Where Rainbows End'* by Anne Marie Brear

I love a good comforting chic-flick read. I recently read The Savage Detectives (review here), and whilst it was a very interesting book, it was also a very heavy one. Where Rainbows End* provided the perfect respite. I was actually lucky enough to read another one of Brear's novels before publication, and loved it, so I was excited for this one.

Where Rainbows End* is set in 1850. The Noble family have travelled to Australia to rid themselves of the black mark against their name in England. Despite being a loving father, Gerald Noble has a gambling problem. Time and time again, the family has had to be bailed out by their wealthy relatives. Gerald has taken one last loan to get them to Australia and create a new life.  

Pippa, Gerald's eldest daughter, is more than happy to leave England. Not only is she ashamed of how her family has fallen down in the ranks, but she also declared her love to Gil Ashford, only for him to throw it back in her face. 

The family are to move into a valley and breed valuable horses there. Pippa is determined to make this venture a success. When her father falls ill, Pippa breaks tradition and becomes the head of proceedings. She orders the work men building their home in the valley about, processes invoices and manages the family's finances scrupulously. But is it enough? And will people accept this woman as their boss?

I'm all about the girl power, and I LOVED seeing this 1800s lady stake her place in the world of business. Things aren't idealised in the novel either; she faces real challenges due to her femininity.

Have you read this?

Tuesday, 25 July 2017

Review of 'If I Was Your Girl' by Meredith Russo

Review of 'If I Was Your Girl' by Meredith Russo

I *think* this is the first book that I've ever read with a trans* main character. And it sucks that it's taken me so long, but quite frankly there just aren't enough in mainstream literature. I'm so glad that If I Was Your Girl was chosen to be part of last year's Zoella book club as it gave so many young people an incentive to read a book about a trans* character.

As the novel progressed, I began to get a little (very) concerned that it actually wasn't very progressive at all. Although our main character Amanda was bullied because of transitioning to become a girl, she did have things a little easier than most trans people. For starters, Amanda knew she wanted to be a girl from a young age. She's overtly feminine. She also gets hormone treatment and surgery to fully transition to a girl that honestly would not be available to the majority of trans* youth. I felt disillusioned by how idyllic the whole setup was. 

When I got to the end of the novel, however, there was a note from the author, Meredith Russo, who is trans* herself, to the reader. In it, she explains that this idyll of transitioning was purposeful; she isn't naive about how things really work. She wanted to show what being trans could be like if things were easy. It also makes it easier for cis readers to accept Amanda as a girl. In my opinion, this makes the novel a good step in to trans* literature, I just wish this note was at the beginning of the novel! Although dark subjects are discussed, it shows the positive sides to the practicalities of being trans*, like how easy it was for Amanda to get treatment. I would love to see Russo write a YA novel about an individual who couldn't get treatment, and how they struggled. 

In the novel, Amanda has just moved to a new school. She's come to live with her dad after a violent attack on her in her hometown. The attack came about because Amanda used to be Andrew, and some of her classmates couldn't accept the change. Amanda is keen to make a fresh start. She wants to keep her head down to make it through high school alive, get good grades and go to college. All goes well until she realises that she's falling in love with a boy at her school. Can Amanda really keep the past behind her?

Have you read it? What did you think?

Saturday, 22 July 2017

Review of 'The Savage Detectives' by Roberto Bolaño

Review of 'The Savage Detectives' by Roberto Bolaño

I was doing really well at keeping up to date on posting on this blog last month, and then I read this massive tome. So, sorry for my absence, but this novel took a while to work through. I was meant to read it two and a half years ago as part of my lit course, but it was big and heavy with small font so I avoided it at all costs and Wiki'd it for the seminar. I've read quite a few nice, speedy novels recently so I thought it was time to tackle it.

The Savage Detectives is one of Bolaño's longest works. Initially a poet, he turned to, in his opinion, an inferior form of literature: fiction. Bolaño was a traveller, and spent most of his life poor, finally turning to fiction as a way to secure income. 

Usually I wouldn't do a little author bio for you, but as one of the main characters, Arturo Belano is a loosely autobiographical figure, I felt as though it was important.

The novel is very much a South American novel. Not all of the text, or possibly not even the majority of the text, takes place in South America, and yet it remains an intangible zone throughout the entirety of the novel. It's there in the conversation between narrators, and there in the discussion of literature, which features heavily in the book. 

The Savage Detectives is written in three parts. The first is a story from the viewpoint of a 17 year old poet named Garcia Madero. He becomes entangled with a group of poets who name themselves the visceral realists. Even if you search this term, all you get are mentions of Bolaño and this novel. It's a form of poetry that is discussed at length in the text, but as with any avant-garde form of art, it's true form is never pinpointed. It's un-pinpoint-ability is part of what it is.

The second part features over 40 narrators. It's confusing, and at some times mindless. Some narrators only feature once, and some come in waves of repetition. It took me a while to link this mass of scenes, but the one thing they all have in common is that these people have met Arturo Belano and Ulises Lima, the founders of visceral realism. These people tell stories that span twenty years as well as multiple continents. Movement between chapters and narratives is harsh and abrupt. It constantly keeps you questioning and leads you off into different realms of thought. Again, I feel as though this is part of the idea of visceral realism.

If you define 'visceral' you come across the idea of something relating to ones feelings rather than to ones intellect. This features throughout The Savage Detectives. We're met with  crude sexual scenes, scenes of abject poverty, alcoholism and the desire to learn. Belano and Lima do not do what they need to do in life, they do what they feel like doing. 

The final section picks up exactly where the first section leaves off. Belano, Lima and Garcia Madero are travelling across the desert with a prostitute they saved from her pimp. The pimp is hot on their tails, but they're also in search of a visceral realist poetess, who has only ever published one piece of work. This final section follows them in their journey to the heart of visceral realism. 

Have you read this? What did you think?