Tuesday, 19 August 2014

Review of Bartleby the Scrivener

“Happiness courts the light, so we deem the world is gay; but misery hides aloof, so we deem that misery there is none”

Herman Melville is pretty much a household name in modern America due to his creation of the literary giant Moby Dick. It's time to fess up here: I've never read Moby Dick and probably never will do (I get the whole symbolism behind the concept part, but the idea of reading such a long book about a fisherman and a whale just seems so tedious to me).

Anyhow, back to the book in question. Written in 1853, Bartleby the Scrivener is heralded as one of the best short stories America has to offer. Having said that, when I found this out after reading the book my first question was "why?". As I read it, I was aware that there must be some underlying meaning behind this story as the plot line seemed meaningless (and not in a postmodernist manner either, more in a why-did-you-bother-writing manner). So, feeling ashamed of my lack of guile as an English Lit student, I researched it and found some interesting theories as to what Melville was getting at through the narrative.

However, before I discuss these I want to briefly describe the plot of the book itself. The narrator has two copyists, or scriveners, working for him to help with legal documents. He feels the need to hire a third - this is where Bartleby comes in. The narrator is at once enamoured with Bartleby's elusiveness. He wants to know who this man is and why his behaviour is so off. But, one of the greatest lessons to take from this book is that no one can really understand another person - and that's what the narrator learns from Bartleby.

So now for the theories. Some critics believe that Bartleby is a symbol for people suffering from clinical depression. His sleep and food deprivation are hyperbolic examples of the negative side effects which this disease can have on people. He is incredibly apathetic in all manner of things and cannot seem to find any enjoyment in life. Not only this, but he has closed himself off from all forms of human contact, preferring to live alone and avoiding engaging in any form of social contact. His choice to work behind a makeshift screen reflects the manner in which people suffering from depression often psychically screen themselves off from others in order to lessen anxiety and deal with their issues privately.

However, there are other theories. Perhaps Melville simply wanted us to know that everyone has a story, even if it isn't the most dramatic. Or perhaps Bartleby was simply a figure who offers readers a way to get to know the narrator. What did you think of the figure of Bartleby?

Wednesday, 13 August 2014

Trends in Chick Lit

Everybody has a guilty pleasure when it comes to reading. For some, it’s fantasy novels, comic strips, or even the likes of Fifty Shades of Grey. For me, it’s the generic chick lit novel: girl is lonely, girl meets unlikely match of a boy, girl and boy fall in love (surprise, surprise). The simple and near-identical structure of these novels appeals to my willingness to remain right in the centre of my literary comfort zone. However, recently it’s come to my attention that this style of book isn’t quite as superficial as it first appears to be.
A few years ago, a large proportion of this genre of literature was centred on female body image. Obesity was a hot topic in the UK and USA at this point as shocking statistics were being poured out over the media concerning the 61% of the population deemed to be within this category (statistics as of the NHS’ report concerning obesity in 2010). At this time, and for a couple of years preceding it, chick lit authors positioned this issue at the forefront of their novels. This encouraged people, especially young women, to love their bodies even if they are technically overweight. This body-beautiful campaign as such was taken up by many authors worldwide, including one of my personal favourites, Meg Cabot (Princess Diaries anyone?). Her range of adult novels includes the Heather Wells mystery series, which tracks the progress of a young woman who has been criticised because of her large size. The books explore the idea that being overweight does not make a person unattractive, or unsuccessful. Thus, they serve to work against the “fat shaming” that goes on in the media: critiques of celebrities gaining a few pounds and the endless advocation of (unhealthy) fad diets in seemingly every magazine with a female target market.
Recently however, as the issue of obesity has become a less pressing issue in the media, chick lit authors have turned their attention elsewhere. Recent figures in mental health statistics have becoming increasingly alarming, to the extent that 1 in every 4 people experiences some form of mental health issue every year; the most common being depression and anxiety disorders. Again, as the media has begun to focus on these issues, so have chick lit authors. The two novels which I have read so far this summer as part of this genre have adhered to this. Both feature mentally unstable female protagonists who have undergone some form of trauma in their lives and thus (unfortunately) need to be rescued by the loving, handsome boy-next-door as it were.
After a hectic period of second year English Lit exams and getting a new kindle for my birthday I really wanted to chill out with a simple chick-flick on holiday. As a student I obviously instantly started scrolling through the reams of (largely awful-looking) free books in this style on Amazon. Coming across "Twenty Eight-and-a-Half Wishes" I didn't expect much and the opening chapters held out to this expectation.
The book is set in a modern Southern style landscape. The protagonist is an anxious 24-year-old girl who finds it hard to feel appropriate emotions towards events. She lost her father at a young age and is controlled by a wicked mother. This Cinderella-esque storyline was waiting for a Prince Charming to arrive, but, akin to most other romantic novels of our era, Joe McAllister is a rugged, mysterious figure. This generic outset initially jars with the magic realism that Rose's visions imbibe the plot with. Her blunt reaction to (not giving any spoilers) certain tragic incidents in the novel heightens this; in my opinion making this protagonist and the book itself too unrealistic.
However, after the disappointment of these first few chapters the novel improves greatly. It develops into a mystery-romance novel rather than a mere romance one, which allows it to offer much more to the reader in terms of plot and interest. Moreover, Rose's visions no longer seem to jar with the main plot, but cohere with it and enhance it, allowing the reader as well as Rose to have a stronger grasp of the mystery at hand than most other characters in the text. Rose’s visions as well as her social anxiety arguably hint at deeper mental issues within her character. However, the fact that the visions save Rose’s life portrays an important message to the reader: mental illnesses do not have to destroy your life. This is something which Rose learns as she develops as a character.
Similarly, Natasha Preston’s first book in her (appropriately named) “Silence” series raises a great number of important issues surrounding the moving issue of childhood sexual abuse. Despite a pretty good (albeit clichéd) romantic back story to the plot, the traumatic effects of this type of abuse upon a teenage girl remained the key focus of the novel. Silence follows the story of 15-year-old Oakley who hasn’t uttered a single syllable since the age of 5. Her overwhelming love for her 17-year-old best friend/neighbour/all-round good guy Cole encourages her to consider the impact of her silence on others, including her family. Oakley, her loving parents and sex-obsessed older brother make up the Farrell family unit. But as the novel rapidly makes clear, Oakley’s silence isn’t the only aspect of the family’s problems which doesn’t immediately meet the eye …
Set in England, the social issues which this novel raises really struck home for me. Moreover, with the recent numerous allegations of child sexual abuse by famous men in the media business, the concerns this novel raises are at the heart of heated discussions in the UK: can we really trust our children with anyone? How does this kind of abuse affect the mental health of the victim as they reach puberty and beyond?
I believe that the most important aspect of this novel is the exploration of the ways in which sexual predators transform their victims in order to cover up their horrendous acts against human decency. Oakley has her voice physically and metaphorically removed in a hyperbolic symbolization of the fear in which these victims live.

Once you get past the slightly bad writing that characterises the initial chapters of both the books discussed above, they really do expose some harsh realities about the state of modern life. Women are statistically more likely to suffer from depression than men, which perhaps explains why these authors have chosen for their female protagonists to be portrayed as fragile, imperfect creatures. Perhaps they want to suggest that if you really get to know a person (as the reader does with the narrative voice) everyone is broken. However, there may be a greater issue at hand: are these modern chick lit authors falling into the fallacy of creating almost 19th century female protagonists who can’t survive without swooning into the arms of a life-giving, life-saving man?

Monday, 11 August 2014

Review of "Narrative of the Life of Frederick Douglass, An American Slave

“At that time, the slightest manifestation of humanity toward a coloured person was denounced as abolitionism, and that name subjected its bearer to frightful liabilities”

Frederick Douglass was born into slavery in 1818. Narrative of the Life of Frederick Douglass, an American Slave is his attempt to reveal the injustices of slavery in order to work towards abolitionism. The very existence of this narrative is a testament to his bravery and hard-working spirit.
This text tracks the story of Douglass’ escape from his hellish treatment as a slave. It includes details of all of the various slaveholders who wrongfully imprisoned him in order to shame them. Initially Douglass accepted that he was going to spend his life as a slave, however, the help of a kind mistress sparked his interest in words and education. He soon began to seek help from free white boys in order to develop his understanding of the alphabet and later reading itself. This is eventually what paved his way to freedom. Without this intellectual hope Douglass himself admits that he would have been forced to the despair which many of his fellow men and women in bondage were consumed by. Alongside his attempts to learn however came many great risks: slaveholders feared that if their slaves learnt to read they would become empowered and thus liable to rebel and riot.
If any of you read last week’s review of Twelve Years A Slave (http://the-darkness-will-never-win.blogspot.co.uk/2014/08/review-of-twelve-years-slave.html) then you’ll see that I thought that had a different emphasis on the traumatic effects of slavery. Solomon Northup heavily focused on the physical and emotional implications on himself and the people he was held with. In Narrative of the Life of Frederick Douglass, an American Slave however, Douglass’ work is more directed towards exposing the hypocrisy and corruption of American slaveholders who believed in their Christian vocation to slaveholding. Many of the slave holders in the South whom Douglass was unfortunate enough to have to call “master” insisted that they were good Christians. As a result of this, they often quoted scripture whilst whipping their slaves.
This hypocrisy really hit home when I read this text as the recent crises in the Middle East show that people have not yet learnt that religion is not an excuse for persecution. Religion should discourage hatred, prejudice and torture, rather than encourage people to commit it. Frederick Douglass realised that Christianity was often (although not exclusively) a front for this. Him and his fellow bondmen were prohibited from attending Church and learning how to read scripture, to the extent that the Sunday school they created was punishable by death.

What did you think of the text when you read it? 

Thursday, 7 August 2014

Review of Silence

Natasha Preston's first book in her "Silence" series (appropriately named) raises a great number of important questions surrounding the moving issue of childhood sexual abuse. Despite a pretty good (albeit cliched) romantic back story to the plot, the writing completely dragged down my overall impression of the book. My kindle edition unfortunately also had quite a number of spelling and grammatical errors and typos. Though this was obviously not a bad feature of the book itself it too detracted from the strikingly good storyline. 
Silence follows the stroy of 15 year old Oakley who hasn't uttered a single syllable since the age of five. Her overwhelming love for her 17 year old best friend-stroke-neighbour-stroke-all round good guy Cole encourages her to consider the impact of her silence on others including her family. Oakley, her loving parents and sex-obsessed brother Jasper make up the Farrell family unit. But as the novel makes clear, Oakley's silence isn't the only aspect of their family's lives which doesn't immediately meet the eye ...
Set in England, the social issues which this novel raises really struck home. Moreover, with the recent numerous allegations of child sexual abuse by men in the medial business, this novel is at the heart of heated discussions in the UK. The most important aspect of this novel, I believe, is the exploration of the ways in which sexual predators transform their victims in order to cover up their horrendous acts against human decency. Oakley has her voice physically taken away as a hyperbolic symbolization of the fear in which these victims live. The question it most potently raises is: how does one grow and adapt to deal with normal life after life-destroying incident like this have taken place?
So, once you get past the somewhat awful writing and the lack of suspense in the novel (the author reveals the nature of the cause of Oakley's silence in the first few chapters), Silence develops into a heart-warming, tension filled novel.

What were your thoughts?

Monday, 4 August 2014

Review of Twelve Years A Slave

"They are deceived who flatter themselves that the ignorant and debased slave has no conception of the magnitude of his wrongs"


Prewarn: i'm not talking about the film (and yes, the film was made from a book). Twelve Years A Slave is the true story of Solomon Northup's descent and recovery from slavery which he narrates himself. This is the most powerful piece of writing, literature or not, that I have ever come across concerning the issue of slavery. As I was reading the text, I began to wonder why we don't read literature as part of history courses which teach students about horrendous periods of history like this one. The emotion contained in this text taught me about the mental and physical trauma which slavery inflicted upon real people, which i had never really come across despite studying it at school.

So, back to the review (SPOILER ALERT). Twelve Years A Slave begins with a contented Solomon Northup living in an American state in which it was permissible to be a free black man. He knew very little about the practicalities of slavery, viewing it as something different to him. Unfortunately for him there are some truly evil people out there. Two such men trick Solomon into travelling with them. After a couple of days they drug him, chain him and proceed to force him to accept that he is a slave. From there Northup recounts his experiences as a slave, being sold like a piece of unworthy chattel, or an animal.

This text was incredibly well written, and as such is a testament to the bravery and intellect of this man. For me, the text reached a state of emotional poignancy when a slave that Northup was kept with was torn from her children. The master had no reason to tear this mother from her little girl, bar his own cruelty. So he sold the girl and kept the mother who weakened more and more out of grief, and because of this suffered more and more from the weight of his lash. This unprovoked spite was, according to Northup, the worst sight he witnessed during the entirety of his confinement. I believe that his incredible writing skill allowed him to express this, ensuring that readers too felt this was the most horrific scene of the book. However, this does not go to say that the other acts of cruelty Northup witnesses were any less inhumane. Northup was stripped of his name, clothes and right to life. He often survived being killed because of his monetary value. When capitalism reaches a crisis like this can we really see it in a positive light?

This text not only raises issues about the idea of race, but also gender. Women were expected to keep up with men, but sadly often mistreated by their mistresses and masters. the latter would frequently seduce them (they could hardly say no to him) and the mistress would punish the woman effectively for being raped or sexually assaulted. This appears to lead to depression in female slaves in the text.

In my opinion, everyone should read this in order to go some way into understand the emotional impact of slavery from someone who experienced themselves. What are your opinions on including literature like this when teaching young adults about the historical impact and implications of slavery?


Wednesday, 30 July 2014

Review of House of Mirth


“Since she had been brought up to be ornamental, she could hardly blame herself for failing to serve any practical purpose”

Truth be told, this wasn’t a “random” pick like the majority of my books recently have been. I decided to be a bit keen and get cracking on some early reading for the modules I’m doing in my third (and final, eeek) year at uni. However, for a book that I kind of had to read, I did really enjoy it. Plus, it made me feel as though I’ve learnt something about my own life. Personally, if a book changes my opinions about things or makes me see things in a different light, then it’s a success in my eyes.
Edith Wharton, the author of this insightful novel, wrote it in the style deemed American naturalism. This bildungsroman follows the downwards spiral of Lily Bart’s character from a much-sought after woman to, well, you’ll see if you read the book. Lily Bart is the orphaned niece of rich former socialite Mrs Peniston. Her inestimable beauty allows her to weave her way into the hearts of many of the right people, but sadly also the wrong. On the face of it, this is a book about how tough it is for a girl to remain unmarried in high society for too long, but it appealed to me more as a tragic love story.
Don’t get me wrong, I struggled with the book at times. But that was purely because Lily Bart wasn’t exactly the most likeable character (to put it nicely). That’s kind of the point though isn’t it? She was realistic. Deep down we’re all far from perfect and make some irreconcilable mistakes in our lives. This is what Lily Bart did. She was the victim of circumstance and her upbringing, which drove her to act in the way she did.
I did however find the book a little out of place. Usually twentieth century American novels are distinctive in their content and style in order to define themselves as being not English. House of Mirth however felt to me as though it could have hopped off of the shelves of any English bookstore in the twentieth century.
Overall though, it was an invaluable read.
What did you think?


Sunday, 27 July 2014

Review of The Boxer, Reinhard Kleist



Theodor Adorno once said that “writing poetry after Auschwitz is barbaric”. By this, he implied that the horrors that occurred in this death camp, amongst others, could not and should not be talked about. The Holocaust is a topic which is almost taboo in literature, which makes it incredibly hard for authors to find a successful way to write about it. This makes graphic novels an appealing literary platform as they offer artists the chance to express their impression of the effects of the Holocaust without limiting them quite as much.
The Boxer follows the biographically accurate story of Hertzko Haft (later Harry Haft). Hertzko was a Jew who had the unfortunate destiny to live in Belchatow, Poland during World War Two. As the war developed Hertsko tragically took his brother’s place in a ghetto registration which took him to a concentration camp. The book outlines his struggles in the camp. One of the best aspects of this graphic novel, in my opinion, is the way in which the prisoners are drawn. Kleist sketches these figures in a way in which reminds me of the idea that these men and women were “the living dead”. He presents them as skeletal figures: they are consigned to the world of the dead, but ought to be alive. This is an innovative way to explain the horrific starvation method of torture employed by the camp’s guards. I feel as though it went some way to express these inhumane living conditions.
The novel then moves on to follow Hertzko’s struggle with his own morality. He is forced to commit some atrocious acts in order to survive his ordeal at the death camps. This raises the question as to whether the holocaust made monsters out of both its perpetrators and victims. This question becomes most potent when (not really a spoiler – it is in the title!) Hertzko is forced to box other dying prisoners to entertain the guards: if he doesn’t kill them, the guards will kill him. Thus, Hertkzo “Harry” Haft’s boxing career is born. The rest of the book narrates his journey to America where he once again enters the ring and finds out that the post-war world of boxing is not all it’s cracked up to be …
I have to say, I was slightly disappointed by this graphic novel. Perhaps my expectations were too coloured by the fact that I recently read Spiegelman’s Maus. This novel also follows the true story of a man who struggled through World War II as a Jew living in Nazi-occupied territory. However, I feel as though Spiegelman made better use of the medium of a graphic novel, employing clever symbolism and ideas throughout.

Still, if you want to read an inspiring true story about how one man made his way through the death camps of World War II to freedom, then have a look at The Boxer. It’s a quick, easy read and has some incredibly poignant and thought-provoking images in it.