Showing posts with label sexuality. Show all posts
Showing posts with label sexuality. Show all posts

Tuesday, 24 February 2015

Review of "The Man of Mode"

The above excerpt from this 17th century play sounds like it could have come out of the mouth of Lady Macbeth, however, writing over half a century later, the playwright Etherege had quite a number of different aims in his portrayal of the scorned women. The political climate of Etherege's writing was one of libertinism. Charles 1 had been killed and a spirit of puritanism had entertained the interregnum, but with the Restoration seeing Charles II put on the throne, a period of somewhat licentious behaviour ensued. Charles II was known for his many mistresses, and if you've ever read any of Rochester's poetry, you'll know how, let's say "saucy" Restoration literature can be! 

Dorimant, a man of wit, convinces the town that through the contraction of a venereal disease he has become impotent. In this way he can allow men to let him have access to their wives, believing that he can do them no harm (the rogue!). Mrs Loveitt is one of the first to fall under his wiles and realise that she desires him. After this, women seem to keep falling into his trap. Sir Fopling Flutter on the other hand, as his name suggests, is the foppish laughing stock of the play - misplaced attempts at wit, unfashionable clothing and outdated speech make him far less desirable to the women. The real question of the play is: will Dorimant's trickery be discovered? And by the men or the women of the play?


This play really made me think about how restrictive Victorian literature has been on the notion of sexuality, especially female sexuality. All of the women in this play display some level of sexual desire, even if it is misplaced in this man of supposed impotence. However, Mrs "Loveitt"s name in particularly gives a slightly negative outlook upon the notion of women chasing after men they desire. The complex natures of the women were also interesting as again, in later English literature this seems to have disappeared a tad. Here the women are at once devious, loving, skeptical, chaste and yet sexual creatures.


Rating:


Have you read it? What did you think?
Steph

Sunday, 16 November 2014

Review of "The Caucasian Chalk Circle"



First thing first, I'm aware that the picture of this book is of startlingly appalling quality. However, as England has become a seat of darkness already this Winter, there's only a very small time period in which decent photos can be taken. As I'm really conscious at the moment of how long it's been since I've written something (over a week, whoops) I really wanted to get this out today, so we'll have to deal with the poor quality picture. Hey, at least it matches the battered copy my student loans graced me with right? 

Anyway, let's talk about the play. Although I should have already read some Brecht, my general lack of motivation (aka laziness) as a first-year student meant that I *cough* overlooked reading Mother Courage and Her Children. So, The Caucasian Chalk Circle is really my first experience of reading Brecht. I have to say, I massively enjoyed it. If you haven't read any, or really feel like reading something that will make you ask questions about modern life this play is brilliant.The quotation above is just a small sample of thought-provoking and often terrifyingly accurate analyses of modern life that the play contains.


The play itself tells you what's going to happen within the prologue, so I can't really spoiler anything, The Caucasian chalk circle, as narrated by Brecht, is a circle which is drawn around an infant when there is a dispute over who the mother is. The two women in question are asked to tug on the infant - whoever pulls him out of the circle hardest and fastest is the legitimate mother. However, there is a twist. Although the judge of the action states these rules, the real mother is in fact the one who lets go - she cares about the child enough to choose his safety over her emotional attachment to him.

The plot follows the story of Grusha, a servant girl working for a governor and his wife. There is a revolt in the city they live in. The governor is killed and the wife, in her haste to save her dresses, runs away and forgets their infant son, Michael. Grusha runs away with the baby, pursued by soldiers who want to kill him. She eventually reaches her brother's house, but her safety is not secured there....

The second half of the plot sees Azdak, a simple man, become a judge during a revolution. Almost like a Robin Hood-esque character, he has a distorted sense of justice, which for once doesn't help the rich and powerful!


There's so many things that could be said about this play that I'll just never be able to articulate. So, I'll just give a brief account on my thoughts, There is a really interesting interplay between the role of women in capitalist society and commodities. Grusha herself is set up to be a commodity from the start: she is a servant, whose sole worth in the mind of her employer is her ability to follow instructions and perform certain tasks with accuracy. She is then further commodified in her ability (or lack thereof) to produce milk for the infant. She views her breast as something that exists to produce milk, but it sadly serves as a reminder to the reader that she is unable to mother the baby on a physical as well as an emotional level. 

There are many provocative moments in the play. I'm not going to bore you, but some of the most potent aspects I found were the connection between the exchange of money and sexual acts/sexual presence, and the idealist understanding of socialist principles. 

What did you guys think? Have you read it?

Love and Light
Steph