Janet
Fitch was born in 1955 in Los Angeles. Not only had she lived there for the
entirety of her life when she wrote White
Oleander, but as two previous generations of her family lived in the city
she clearly has an expansive and personal knowledge of it which allows her to
inject a level of geographical accuracy into the novel which not only heightens
its interest for local readers, but also for those worldwide for whom the
accuracy gives the text a level of authenticity. As a child she had a difficult
relationship with her mother, whom she believes lacked the necessary skills for
motherhood (there appears to be a slight
insertion of her own history into the text on this theme). She studied history
for a period in Keele University in England, having been inspired by the
concept of stories within history. However, she eventually realised at the age
of 21 that she did not want to merely read stories; she wanted to write them,
and thus began her journey as a writer.
Fitch
finally finished writing White Oleander
in 1999. This was a turbulent time in Los Angeles as certain parts of America,
including here, had undergone a rapid economic decline and resurgence within
just over a decade. The tension at this time was further heightened by the fact
that the Cold War finished only 8 years earlier, whilst Fitch was in the
process of creating a text; the uneasiness of American citizens was not
immediately extinguished by this time, as they had suffered over thirty years
of fear and anxiety. Moreover, perhaps the most significant cause for anxiety
for the citizens of Los Angeles during this time however was the 1992 riots and
their aftermath. They commenced after a video of a black man being beaten by a
group of white policemen was filmed and realised to the public and the trial
saw the all-white jury acquit the men of this crime; the riots broke out within
hours. People lived in fear for their lives, and some did not make it. Not only
were there violent, sporadic killings, but over $1 Billion worth of damage was
caused, largely through arson. This rupture in the quotidian social climate
meant that life has not been the same in Los Angeles since. These factors which
induced high levels of anxiety in citizens are reflected in the book: Astrid
constantly fears for something; Ingrid is unsettled and eventually finds
happiness in the structure of prison; the instability of the various domestic
lives of the foster homes, particularly Claire’s depression and anxiety issues.
The
novel also reflects movements in the world as a whole at the time in which it
was written as the 1990s in the Western world in particular was recognised as
being a time in which the growth of multiculturalism was seen. This is seen
through the variety of races which Astrid encounters on her journey through
life and the way in which Fitch allows them to each have their own identities
within their race. However, as capitalist markets in the Western world boomed
so did racial and class tension, which is again explored in the text. This was
a time in which the world saw the rise of Third Wave feminisms, which not only
differ from the second wave in that this was more racially motivated than
before, but it also saw the rise of antifeminisms, some key ideas of which are
included in the text.
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